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Publishers mainly use plastic for shrink wrapping to protect books, magazines and journals during distribution and selling. However, some publishers have taken measures to reduce the use of plastic in their packaging. Springer Nature have in 2019 stopped wrapping all but the largest research books (where damage is more likely if unwrapped), reducing the number of units wrapped by 1.2 million and replaced two million plastic wallets, used for CDs, with paper alternatives.
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The book Plastic. Past, Present and Future, written by Eun-Ju Kim, illustrated by Ji-won Lee, was originally published by Woongijn Thinkbig. The English translation was published in June 2019 by Scribe UK. This book takes the reader on a journey through the life cycle of plastic, from production to waste. It explains how plastic survives, and why it is harmful to our environment.
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Author Lauren St. John also launched the website Authors4Oceans, containing tips to how to reduce plastic waste. The authors and illustrators who are part of the initiative are passionate about the natural world and preserving it for future generations. They are committed to ridding their lives and communities of plastic and unsustainable practices wherever possible, and inspiring young (and old) readers to do the same.
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The Book Chain Project, since 2016 has aimed to build better supply chains for books and help publishers make informed buying decisions. The Component Chemical Screening program, for instance, enables print suppliers to submit exact chemical breakdowns of each book component that can then be screened and flagged to publishers in order to substitute any components of concern.
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The Holtzbrinck Publishing Group, including publishing houses Droemer Knaur, Kiepenheuer & Witsch, Rowohlt, S. Fisher and Argon, announced in the beginning of March 2020 that they are labelling their new books with a new green logo on climate neutrality, referring to the klimaneutralerverlag.de (climatneutralpubliser), and committing to climate neutral production and transparency in climate communication.
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In Autumn 2019, 4000 high schools across metropolitan France participated in a mass recycling operation. As part of the French Baccalaureate reform, shcools had to renew textbooks for two school leves. As a result of this eco-friendly initiative, textbooks that had been removed from the curriculum were sorted and transformed into raw materials by Veolia (a global firm specializing in resource management and circular economy) and ultimately transformed into recycled paper.
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In 2020, due to the travel restrictions imposed by the COVID-19 pandemic, the world’s largest book fair took place in a hybrid format. Though the book fair’s traditional on-site exhibition was cancelled, an extensive digital programme for publishing professionals was available, as well as exciting online events for international readers. Thus people could still experience the international exchange the book fair normally provides, even with the challenges posed by the pandemic.
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The Incredible Book Machine is a book bus which travels around different Brazilian provinces, allowing readers to interchange books they’ve already read for new ones at the press of a button. The goal of The Incredible Book machine is to stimulate reading and the reuse of books in both adults and children, and is a collaboration between Infinito Cultural and the Brazilian Book Chamber. The project is linked to several SDGs, including education, poverty and literary.
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In 2018, as evidence of their commitment to the SDGs, the French Publishers Association presented a Survey on the Environment and Manufacturing (covering the time between 2015-2018). The report concluded that French publishers have gradually adopted more eco-responsible policies throughout their supply chain – such as an increase in the purchase or use of certified or recycled paper for textbooks, for instance.
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Different organizations and publishers have adopted the GHG protocol standard as a way of allowing them to understand, calculate, and track their carbon footprint. This standard has three phases in which organisations can commit to tracking and reporting on carbon emissions. Hachette Livre, Macmillan, Penguin Random House, Otava Publishing Company and Bertelsmann have set targets for reducing their carbon emissions and switching their operations to rely on green energy.
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Due to the travel restrictions imposed by COVID-19 pandemic, the 57th Bologna Children’s Book Fair became a special online virtual event attended by 60,000 visitors (75 percent of non-Italians) with over 400,000 pageviews. The online platform also enabled business to continue with 500 publishers registered on the Global Rights Exchange platform. The success of this virtual event means that the implemented platforms will now become one of the fair’s permanent assets.
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Klima og Litteratur (Climate and Literature), a literary climate festival, held in Copenhagen, Denmark in 2019 ensured all visiting authors came by bus or train and no programs or posters were printed for the event with promotion done through social media. Th
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